The American Heiress
A NovelBook - 2011
Enter a world in which American millionaires marry British aristocrats-in return for title and social status-and discover why this blockbuster bestselling novel continues to enchant millions of readers.
Be careful what you wish for...
Newport heiress Cora Cash-beautiful, spirited, and the richest girl in the country-is the closest thing that American society has to a princess in 1893. But her mother wants more, and whisks Cora away to England for the one thing money can't get a woman in the States: a title.
When it comes to love
Cora makes a dazzling impression on English society-followed by a brilliant match-but finds the chill in the air of magnificent ancestral homes is not solely due to the lack of central heating. Faced with the traps and betrayals of an old-world aristocracy that can trip up even the most charming, accomplished outsider, can Cora grow from a spoiled rich girl into a woman of substance?
Witty, moving, and brilliantly entertaining, Daisy Goodwin's The American Heiress marks the debut of a glorious storyteller who brings a fresh new spirit to the world of Edith Wharton and Henry James.
"Superior...shrewd, spirited historical romance."- Kirkus Reviews (starred review)
"Vibrant. . .archly entertaining."-Janet Maslin, The New York Times
From the critics
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Certain movies are entirely driven by the meet-cute situation, and contrived circumstances throw the couple together for much of the screenplay. However, movies in which the contrived situation is the main feature, such as Some Like It Hot, rather than the romance being the main feature, are not considered "meet-cutes".
The use of the meet-cute is less marked in television series and novels, because these formats have more time to establish and develop romantic relationships. In situation comedies, relationships are static and meet-cute is not necessary, though flashbacks may recall one (The Dick Van Dyke Show, Mad About You) and lighter fare may require contrived romantic meetings.
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